The interesting thing between this show and the one I covered before is that the band genuinely looks like they’re having fun on stage, which is an incredibly refreshing thing to see when you see bands with such a dark appearance and music, because after all, music should be fun.ĭani didn’t speak much, if at all and just ripped right into “Once Upon Atrocity” which really set the tone for the rest of the show.
All in all they are a very impressive band that I have a feeling will be lighting up the metal world soon and be headlining their own tours.Īfter a few quick moments, which was surprisingly fast, the always insanely fun Cradle of Filth hit the stage with what felt like a bit of a smaller stage set than I’ve seen in the past, but nonetheless did not disappoint with their signature Cradle of Filth look and overwhelming skull mic stand that rivals that of Zakk Wylde’s. Guitarists Logan Mader and Max Karon are also a ton of fun to watch and listen to as they completely shred almost the entire set.
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Singer Lauren Hart truly has an amazing presence on stage and really knows how to work the crowd, along with having amazing vocal range. As a result, it should surprise no one that the band’s brand new album, 'Existence Is Futile', is yet another monumental and electrifying journey through the dark.Once Human is a band I’ve been curious about live for some time because the first time I heard them I thought they did a nice job of embodying some of the European style metal I really love, while also not getting into pitfalls that you can fall into when having a female fronted metal band this day in age and still able to keep it fresh and modern with a throwback attitude.Īs soon as they came on stage you could tell they were a force and brought a ton of energy and excitement to the crowd and I’m sure surprised some folks, because somehow this band has not gotten very big yet. Until a global pandemic brought the music industry to a jarring halt, CRADLE OF FILTH were almost permanently on the road and absolutely fucking flying. 2017’s 'Cryptoriana - The Seductiveness Of Decay' repeated the trick with even more explosive flamboyance. As a new line-up coalesced around the creation of 2015’s 'Hammer Of The Witches', fresh impetus propelled the band to new heights, as the revitalised crew became more in demand around the world than ever before. In more recent times, CRADLE OF FILTH have hit an unmistakable hot streak of creativity and urgency. Resolutely prolific, the band’s catalogue has grown in depth and stature all the while, irrespective of line-up changes or the whims of the faithful. Since then, they have traversed the world countless times, hoovering up plaudits and praise from an ever-expanding international fan base. Imperious purveyors of a perennially unique strain of dark, dastardly and wilfully extreme metal, with deep roots in the worlds of gothic horror and occult curiosity, the band led by Dani Filth has weathered three decades of tumult and trial, earning a formidable reputation as both a singular creative force and one of the most riotously entertaining live bands the metal world has ever produced.įrom primitive early works like 1992 debut 'The Principle Of Evil Made Flesh' to more expansive and theatrical classics like 'Cruelty And The Beast' and 'Midian', CRADLE OF FILTH defied trends and constructed their own idiosyncratic world of foul grandeur, becoming one of the UK’s most notable metal bands in the process. Belched from Hell’s depths into the rustic charms of the Witch County, Suffolk thirty long and disturbing years ago, CRADLE OF FILTH are undisputed giants of the heavy metal realm.
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